Thriftflip: I turn rejected ukay-ukay bags into high-fashion masterpieces. Faced with unsellable, wrinkled, and hole-ridden vintage bags, I chose to create art. This streetwear piece is purely hand-sewn, featuring a vibrant, custom-embroidered cat on the back. I endured hours forcing a needle through heavy canvas, leather, and rubber glue just to bring this to life. Even better? The hood and backpack are fully detachable. It’s unique, sustainable, and proof that thrift can become luxury."

This hand painted jacket ,using tie dye and acrelic paint .

This denim Terno made out of 3 old denim . Upcycling into pcs. 1 .stylish sleeveless 2 . Stylish baggy pants I’m using tie-dye and using bleaching process . #upcycling #upcycler

This XL Carhartt is 90 days of survival sewn into "broken" luxury. Created during a financial crisis in the Philippines, I spent three months of labor—resting only for Church—to provide for my family.​Using "mahiwagang tiyaga," I hand-stitched salvaged Gucci materials into heavy denim. No machines; just three needles and an evolved running stitch. Every panel reflects calloused fingers and the hope that art sustains life. I didn’t just upcycle fabric; I transformed a struggle into a masterpiece

Carhartt and broken bags turn to a master pc

This XL Carhartt is 90 days of survival sewn into "broken" luxury. Created during a financial crisis in the Philippines, I spent three months of labor—resting only for Church—to provide for my family. ​Using "mahiwagang tiyaga," I hand-stitched salvaged Gucci materials into heavy denim. No machines; just three needles and an evolved running stitch. Every panel reflects calloused fingers and the hope that art sustains life. I didn’t just upcycle fabric; I transformed a struggle into a masterpiece

This XL Carhartt is 90 days of survival sewn into "broken" luxury. Created during a financial crisis in the Philippines, I spent three months of labor—resting only for Church—to provide for my family. ​Using "mahiwagang tiyaga," I hand-stitched salvaged Gucci materials into heavy denim. No machines; just three needles and an evolved running stitch. Every panel reflects calloused fingers and the hope that art sustains life. I didn’t just upcycle fabric; I transformed a struggle into a masterpiece